Craftsmanship
Every piece comes out of my workshop in the Loire, handmade, one by one. Here's what that means, in practice.
A workshop, machines, a gesture
Everything is made in my workshop in Saint-Just-Saint-Rambert. I pick each tool for the gesture at hand: professional and industrial sewing machines, serger, press, motorised skiving machine... and since spring 2026, a laser cutter, for ultra-precise cuts and logos engraved right into the leather.
Made to last
I work with quality materials: sturdy leathers, hard-wearing canvas, metal hardware only. I used faux leather when I started out; I haven't since 2025. My construction methods are designed to hold up over time, down to the reinforcements you can't see.
Truly one-of-a-kind
Never the same mix of fabrics and pattern twice. I make the same bag pattern five times at most; wallets come back to the same patterns more often, but never with the same materials. My leathers and fabrics, hunted down on a whim, are often too rare to make more than one piece. Each one is numbered and comes with its identity card: model, materials, care instructions.
Materials that have (almost all) already lived
Offcuts from luxury leather houses, dormant stock from luxury brands, stock from leather and sewing workshops nearby that close down or renew their supplies, babywearing wraps, flea-market finds: most of my materials already have a story.
Nothing goes to waste
I optimise my cuts, even when it takes longer. A piece with a small cosmetic flaw isn't remade: it becomes a "Near Perfect", sold for less. And my offcuts go into reinforcements, small creations, or to other artisans and schools.
Doing things right, even where it doesn't show.
At home, we call it "painting behind the radiator", and it matters a lot. 😃
